Wonder of Our Stage

The poster for Wonder of Our Stage. On the right is a closeup of a weathered statue of a boy, with green patina on gray/brown wood.
On the left, white text reads:

Silk Moth Stage Presents
World Premiere
Wonder of Our Stage
Written By Monica Cross
Directed by Aili Huber
September 8-10 & 15-17

Wonder of Our Stage imagines that Queen Elizabeth commissions John Dee to find a Husband for her that is neither a subject nor a foreign prince, and Dee decides to make a husband for her (Pinocchio style).  After he brings this wooden Automaton to life, the Queen rejects it, calling it a toy.  Dee is convinced that he can make Queen Elizabeth love this creation, if he can make him act more like a man.  So he hires the actor Richard Burbage to teach him how to “act like a man.”

It’s a funny, weird story that asks deep questions about what it means to be human, and why people are so compelled to create art. 

Wonder of Our Stage was selected for a staged reading as part of the Players Centre’s 2018 New Play Festival (in Sarasota) and out of the five plays included in that festival won “Best Play.”  Monica Cross was awarded the 2019 John Ringling Towers Individual Artist Award for Performing Arts for this script.

Wonder of Our Stage will be performed September 8-10 and 15-17 at Silk Moth Stage. Music starts at 5, with the show starting at 6. The run time is around 90 minutes. Fire afterward, weather permitting.

Cast list

Preshow music

Production team

This project is made possible, in part, through a grant from Arts Council of the Valley.

Reviews

Production photos

Images by Tiffany Showalter Photography

About the cast

Cory Drozdowski

Cory Drozdowski (Richard Burbage) is an actor, originally from Arizona, and is currently working on his MLitt/MFA in Shakespeare and Performance at Mary Baldwin University. He also received BAs in Acting and Philosophy from Arizona State University. This is his first production with Silk Moth Stage and he is incredibly honored and excited to be involved with the premier of such a wonderful play. Past roles include Warwick in Henry VI Part 1 at Mary Baldwin University, Max in Dial M for Murder at the Wayne theatre, as well as both the Deputy in La Comedia of Errors and Jaddick in Healing Wars with the ASU School of Music Dance and Theatre.

Robert Gotschall

Robert Gotschall is a Virginia-based performer from Alpharetta, Georgia. Having trained extensively with Shakespeare and early modern theatrical practices, he believes in the importance and power of words, and the necessity to place the text at the center of every performance. Robert’s core values as an artist reflect the mindset that the nature of theater is to be a force of good in the universe. He last graced the Silk Moth Stage as Tom in the world premiere of Give Us Good.

Kara Hankard

Kara Hankard is an actor, collaborator, and educator based in the Shenandoah Valley. She delights in creating work that explores the Queer experience, gender roles, and neurodiversity. Kara also enjoys directing, developing new works, and performance coaching. She holds her M.LITT and MFA in Shakespeare and Performance from Mary Baldwin University (MBU) and her B.A. in Theater Arts from Pace University. While in New York, Kara graduated from the improv comedy and sketch writing programs at the Upright Citizens Brigade (UCB). Recent roles include Phillida in Galatea, Joan Go-To’t in The Birth of Merlin, and Richard III in Richard III. More about her work can be found at www.karahankard.com.

Katherine Mayberry

Katherine Mayberry is an actor, director, teacher, and dramaturge based in Michigan.  She holds MLitt and MFA degrees in Shakespeare and Performance from Mary Baldwin University/American Shakespeare Center, and has also studied Shakespearean acting with the London Theatre Exchange and the London Academy of Music and Dramatic Arts.  She is the executive director of the Pigeon Creek Shakespeare Company, a touring company in Michigan which she helped to found.  Favorite recent roles include Elizabeth in Richard III, Arkadina in The Seagull, and Audrey in the world premiere of Blue-Eyed Hag (a Tempest prequel by former ASC actor Jim Lair Beard).  When she is not on stage, she can frequently be found teaching middle school and high school students at the Blue Lake Fine Arts Camp, where Shakespeare majors perform in the Rose, an early modern playhouse reconstruction.

She also teaches as an adjunct professor at Grand Valley State University and travels to many schools and theatre companies to teach workshops from students from middle school through professional levels.  For more information about the Pigeon Creek Shakespeare Company, please visit www.pcshakespeare.com

Ariel Tatum

Ariel Tatum is a Virginia-based performer originally from Nashville, TN. Ariel holds an MLITT/MFA in Shakespeare and Performance from Mary Baldwin University, and recently performed as Galatea in Galatea and Mortimer Jr. in Edward II with Treehouse Shakespeare Ensemble. Ariel is excited to join Silk Moth for the premiere of Wonder of our Stagearielatatum.com

About the Musicians

Jessie Trainum

Jessie Trainum is a singer/songwriter and violinist from Harrisonburg. She enjoys singing her owns songs as well as her favorites, old and new. Jessie also plays an eclectic mix of violin pieces, blending classical style with traditional Celtic tunes.

Clymer & Kurtz

Contemporary folk Americana singer-songwriter duo Clymer & Kurtz seamlessly blends intense and gentle melodies textured with harmonies, agile and inventive guitar playing, piano, and sometimes percussion. Based in the Shenandoah Valley of Virginia, Maria Clymer and Christopher Kurtz have collaborated for decades, crafting music that is at once simple and rich, emotive and unique. Inspired by Over the Rhine, Indigo Girls, The Proclaimers, Gillian Welch and David Rawlings, Diamond Rio, Alison Krauss, Donna the Buffalo, Mary Chapin Carpenter, Drew Holcomb and the Neighbors, and many others, their music has been called “freshly original” … “outside the usual run” … “subtle and always imaginative.”

Chris Johnston

Chris Johnston is an actor and music director who has performed all over the country for theaters such as The American Shakespeare Center, Salt Lake Shakespeare, Black Dog Theatre Company, and The Egyptian Theatre Company. Roles that he has performed include Macbeth in Macbeth, Enobarbus in Antony and Cleopatra, Feste in Twelfth Night, Flamenio in The White Devil and many more. His music directing credits include the World Premiere of The Willard Suitcases, Bloody Bloody Andrew Jackson, Return to the Forbidden Planet, Peter and the Starcatcher, Twelfth Night, A Midsummer Night’s Dream, As You Like It, The Tempest, The Winter’s Tale, and several other titles. Chris received his MFA from Mary Baldwin University for Shakespeare & Performance.

About the director

Aili Huber has been directing for 30 years, specializing in text-driven, audience-connected, actor-centered work. She holds an MFA from Mary Baldwin College/American Shakespeare Center, and is the co-author, with Toby Malone, of Cutting Plays for Performance, published by Routledge Press. She also has developed Take 5, a framework to reduce trauma for theater workers.
Favorite directing credits include TJ Young’s Sperm Donor Wanted with Slow Your Role Theater Co., Pam
Mandigo’s Give Us Good with Silk Moth Stage, The Duchess of Malfi, Antony and
Cleopatra,
and Richard III with Pigeon Creek Shakespeare, and Merry Wives of Windsor at Quill Theatre.
Aili is an associate member of the Stage Directors and Choreographers Society and the Shakespeare Theater Association, and a member of Directors Gathering. She’s certified in Mental Health First Aid.

About the playwright

Monica Cross is a playwright in northwestern Wisconsin, and alum of Mary Baldwin University’s Shakespeare and Performance M.Litt./MFA program. Her first full-length play, Wonder of Our Stage, was the winner of the 2018 Players New Play Festival in Sarasota, FL, and went on to be included in their Summer Sizzler Series in 2019. For this play, she received the 2019 John Ringling Towers Individual Artist Award for Performing Arts. Her new play in development is The Aria of Julie d’Aubigny, the cross-dressing, sword-fighting opera singer, wherein she seduces men and women alike, wins numerous duels, must be twice pardoned by the King, and eventually finds true love., which was a semifinalist for the O’Neill National Playwrights Conference and the ASC’s Shakespeare New Contemporaries competition in 2021. Her work has been produced at several fringe festivals across the country, including her one-act sequel to Cyrano de Bergerac, “Cyrano on the Moon” (Tampa Fringe 2017 and Minnesota Fringe 2018). Her publications include: “On Robots and Raindrops,” published in 2022 in Ten-Minute Play Festival, Volume Four: 2018 – 2021 by Theatre Odyssey and “By the Neon Lights of the Taco Bell Sign,” in the forthcoming volume of Best 10-minute plays 2023 by Smith & Kraus, inc. She was a fellow at the Hermitage Artist Retreat in 2019, and is a proud member of the Dramatists Guild and the Science Fiction and Fantasy Writers Association. Her plays can be found on the New Play Exchange, and more about her work can be found at www.monicacross.com.

About the costume designer

Rachel E. Herrick is an MFA candidate at the University of Idaho in Theatre Arts, and a graduate of James Madison University with a BA in Theater and Dance with an emphasis in costume design.

​She works primarily in design, construction, and management with an interest in costume crafts, millinery and fashion history.